by Wim Wenders
Perhaps the best film of these times. It embodies what good cinema should look like today: perfect use of dimensions, space, music, performance, story…I would even dare to say that it’s Wim Wender’s best film.
by Abbas Kiarostami
The film I wish I had directed. Kiarostami manages to layer each shot successfully into a sublime experience of reflections and dialogue that explores in depth both the darkest and most honest side of the human heart. Truly beautiful.
by Asghar Farhadi
The title says it all, a separation of a family, a separation of friends, a separation by understandings and misunderstandings. This Iranian film might be in Persian but the story is universal. An intense drama with a weight that feels like is never lifted.
by Kevin Smith
Underrated. Kevin Smith’s best film since his 1994 debut “Clerks” yet a completely different kind of “Kevin Smith flick”. Funny, thrilling and full of wonderful twists.
by Lars Von Trier
Von Trier’s most pessimistic film, but at the same time it is his “lightest” film. Heavenly disturbing.
Cave of Forgotten Dreams
by Werner Herzog
A nostalgic view on the story of human beings. Herzog takes us into a journey deep into the abyss of man’s dreams. A story about a forgotten past. Chilling and beautiful.
by Lena Dunham
A coming of age, post-graduate comedy like you have never seen before. The originality is outstanding. It’s funny, smart and wonderfully photographed, Lena Dunham shows us a reality of TriBeCa youths without falling into the stereotype of the young collage New York type. Dunham currently directs, writes and produces her own HBO series based on the film.
by Aki Kaurismäki
A masterpiece. If you don’t speak French you could still understand the story due to a sublime precision in visual storytelling. The hard lighting, pale colors and old 1970s texture of the interior scenery reminds one of the films of Rainer Werner Fassbinder or the late films of Luis Buñuel. Kaurismäki tells a very relevant story that clashes between the reality of contemporary France and an old France now lost in the works of Jean-Pierre Melville or Louis Malle. A sweet and warm comedy that everyone should see.
by Cary Joji Fukunaga
Based on the classic novel of the same name, this romantic drama set in late nineteenth-century England combines the Romantic period style with contemporary cinematography that makes it truly a real pleasure to look at.
The Tree of Life
by Terrence Malick
An extremely ambitious project, many have compared it to Kubrick’s “2001: A Space Odyssey” but I like to call it the optimistic version of Von Trier’s “Melancholia”. A warmhearted yarn to the lost world of childhood and a existential statement on the universality of birth and death.
by Nicolas Winding Refn
A neo-noir thriller about a lonesome Hollywood stunt driver like you’ve never seen before; It’s certainly not the greatest film of the year yet it remains very underrated among critics. The right balance between commercial and a tribute to art-house cinema without actually becoming an art film. Worth a watch nonetheless.